Judo
From David Multer Wiki
Intro
I'm studying judo again after many years. I've created this wiki as a study and reference guide for myself and others that want a concise description of traditional Judo techniques and practice. David's Judo log is a record of my practice and events.
- Judo - The way of gentleness
- Seiryoku-zen'yo - Maximum efficient use of energy (with minimum effort)
- Jita-kyoei - Mutual prosperity for self and others
Sensei
Sidharth Seth is the sensei for the Aptos Judo Club. Studied at Kodokan Dojo in Tokyo.
- aptosjudoclub@gmail.com
- 831.251.3273
- Google Group: http://groups.google.com/group/aptos-judo
- Google Group mailing list: aptos-judo@googlegroups.com
I originally learned with Sensei Noriyasu Kudo (hachidan) at the RPI Judo Club. Cool old article about my old sensei here and on the Kudo Kai site here
Dojo
Locations:
- Farley's Kickboxing - 2551 S. Rodeo Gulch #6, Soquel, CA 95073 - map
Schedule:
- Monday: Farley's Kickboxing - 7:30 PM - 9:00 PM
- Wednesday: Farley's Kickboxing - 7:30 PM - 9:00 PM
Links
Aptos Judo links:
- Aptos Judo Club
- Aptos Judo on Facebook
- Aptos Judo on YouTube
- Northern California Judo Association (Hokka Judo Yudanshakai)
More local clubs:
- Central Coast Judo Association
- San Jose Buddhist Judo
- Silicon Valley Judo
- San Francisco Judo Institute
- East Bay Judo Institute
- San Jose State Judo
General:
- Kodokan Judo Institute - The origin of Judo
- USJF - US Judo Federation
- US Judo - Olympic Judo
- International Judo Federation
- JudoInfo - Tons of information
- Judopedia - Judo wiki by JudoInfo guys
- Judo Forum - Lots of discussions on Judo
- Judo Vision - Tons of Judo tournament video, plus some on techniques
- Super Judo TV - More great videos
- Judo on Wikipedia
- Judo America - Some nice articles for coaches
- KodakanGear - local Judo clothing and more
- Hatashita Sports - Judo clothing and merchandise
Practice
Practice consists of some combination of the following:
- Opening
- Stretching
- Supplementals
- Practice options:
- Strengthening exercises
- Ukemi practice
- Uchikomi practice
- Randori
- Closing
You can read additional articles about fitness as well.
Opening/Closing
These are the basics of etiquette when starting practice. More on Judo etiquette here.
- Sarets (line up) - Everyone responds with an emphatic Hai (yes). Line up in rank and seniority order. Often we stand instead of sit at the opening.
- Shomen Ni Rei (bow to shomen): We bow as a sign of respect and thanks to the founder of Judo, Jigoro Kano.
- Sensei Ni Rei (bow to sensei) - The entire class bows to the teacher. If sensei is not present, the command will be Senpai Ni Rei, thus bowing to the leader of that day’s class.
- Onegai Shimasu - Please practice with me.
These are the basics of etiquette when ending practice.
- Sarets (line up) - Everyone responds with an emphatic Hai (yes). Line up in rank and seniority order.
- Seiza (kneel down) - Everyone moves to kneeling position.
- Mokusoh (meditate) - We take one minute to empty our minds and prepare for maximum concentration during class. Meditation should be done with eyes closed, body relaxed, and exclusive concentration on your breathing.
- Mokusoh Yame (stop meditating) - Gently return the focus from your inner self back to the environment you are in.
- Shomen Ni Rei (bow to shomen): We bow as a sign of respect and thanks to the founder of Judo, Jigoro Kano.
- Sensei Ni Rei (bow to sensei) - The entire class bows to the teacher. If sensei is not present, the command will be Senpai Ni Rei, thus bowing to the leader of that day’s class.
- Otagai Ni Rei (bow to the others) - We all symbolically bow to each other by bowing forward. This is a way of giving thanks to everyone for being present and helping us learn Judo.
- Domo Arigato Gozaimashita - Thank you very much for practice we've just completed.
Stretching
1 set of 10 for each on left then right sides. Used at the beginning of practice, and the end for cool down.
- Toe flex
- Ankle flex (in, out)
- Knee rotation (clockwise, counter-clockwise, together)
- Split stretch (regular, deep, rotated, rotated deep)
- Hip rotation (clockwise, counter-clockwise)
- Shoulder stretch (rotate, across, over)
- Neck stretches (forward, back, left, right, clockwise, counter-clockwise)
- Seated legs (together, split, bent forward, bent backward)
- Squatted butterfly stretch
- Hand stretch (up, down, twist)
Supplementals
- Front Roll
- Back Roll
- Forward Crawl
- Backward Shoulder Crawl
- Front Roll and Stretch
- Back Roll and Stretch
- Forward Ebi
- Backward Ebi
- Handstand into Front Roll
- Back Roll into Handstand
- Handstand Walk
- Cartwheel
- Duck Walk - Squat with fingers locked behind neck.
- Chicken Walk - Squat while holding back of ankles with arms inside legs.
- Crocodile Walk - Small hops while in pushup position.
- Moving Ukemis
- Moving Back Fall
- Moving Side Fall Left
- Moving Side Fall Right
- Front Roll Left
- Front Roll Right
Circuit Training
Repeat 10 times each within 5 minutes with no rest. As you improve, increase to 12, 15, and eventually 25 times each. Once this is perfected, you can increase the difficulty of each element. Alternate with a partner.
- Burpees - jump and clap, land in squat, stretch and pushup, return to squat, repeat
- Situps - partner holds your feet, keep hands behind neck
- Height pushups - place feet on back of partner
- Reverse situps - partner holds your feet, keep hands behind neck
- Leap frog - jump over partner, turn and shoot back between their legs
- Kata Guruma (Half Squats) - hold partner on shoulders fireman style and squat
- Side steps - at least 5 steps, touch mat with outside hand, repeat in opposite direction
- Side jump - partner crouches face down, stand sideways facing forward, jump over facing in the same direction
- Tai Sabaki - partner lays face down, stand facing partner's side, jump and rotate to face partner's other side
- Clap pushups
Strengthening
Mix and match these for building strength. Most are practiced with a partner.
- Pushups - Judo pushups start with legs spread and body pushed back with arms locked out straight. Dive down and at angle so nose touches between hands. Push forward and raise head in a sweeping motion. Push back with hands to return to initial position.
- Reverse pushups - Lay on back facing up with head between partner's legs. Grab their hands and pull up repeatedly.
- Height pushups - Lay face down with legs towards partner. Partner hold legs up while extended. Perform pushups repeatedly.
- Handstand pushups - Flip into handstand with back towards partner, while they lightly hold your legs. Perform pushups repeatedly.
- Situps - Face each other laying on your backs with knees bent. Interlock feet with one pair inside and other other pair outside. Perform situps repeatedly.
- Reverse situps - Lay on belly with feet slightly apart and toes curled under dug into mat. Lock fingers behind neck. Lift head as high as possible and repeat.
- Hanging situps - Jump onto partner's hips and lock legs behind their back. Perform full situp motion while hanging without support using your hands.
- Hanging climb - Jump onto partner's hips and lock legs behind their back and lock hands behind their neck. Climb around side staying as high as possible. Work around to back and then around other side staying above their knees. Finish at front starting position.
- Leg pushes - Lay on back with head between partner's legs. Left legs vertically while keeping together with toes pointed. Partner repeatedly pushes hard against legs straight out and to alternate sides while you resist to prevent legs from touching the floor.
Tachi Waza Uchikomi Practice
Practice the following throws 100% with kuzushi (off-balance) and tsukuri (body position) but no kake (throw execution), in sets of 10 both sides.
- Deashi Harai (Forward Foot Sweep)
- O Goshi (Large Hip Throw)
- Osoto Gari (Large Outer Reap)
- Seoi Nage (Shoulder Throw)
- Ouchi Gari (Large Inner Hook)
- Ippon Seoi Nage (One Arm Shoulder Throw)
- Sasae (Supporting Foot Lift-Pull Throw)
Other
- Practice Uchikomis on your own using a bicycle tube as shown here.
Techniques
Ukemi (Breakfall techniques)
Read more about Falling Techniques in general, Understanding Ukemi, and The Study of Falling.
- Ushiro Ukemi (Back fall)
- Start in a supine position (laying on your back). Tuck your chin by looking at your belt. Raise your knees so that both the heel and toes are flat and your feet are about shoulder width apart. Hold your arms straight out, 90 degrees from your body, and strike the mat with your palms at a 45 degree angle from your body. Return your arms to the beginning position.
- Start in the same position as #1 but with your head down. When you strike down, tuck your chin at the same time.
- Start in a sitting position. Your back is fully erect forming a 90 degree angle with your legs. Hands are over one another on the knot of you belt. Tuck your chin and roll onto your back while maintaining the angle between your back and legs until you legs are vertical. Roll back into a sitting position.
- Start in a sitting position. Your back is fully erect forming a 90 degree angle with your legs. Arms are straight out. Tuck your chin and roll onto your back while maintaining the angle between your back and legs and strike the mat with your palms at a 45 degree angle from your body.Your legs will be straight in the air and about shoulder width apart. Roll back into a sitting position and return your arms to the beginning position.
- Start in a squatting position. Arms are straight out. Tuck your chin and roll onto your back and hit the mat with your palms at a 45 degree angle from your body. Your legs will be straight in the air and about shoulder width apart. Roll back into a squatting position and returnyour arms to the beginning position.
- Start in a standing position. Squat down, tuck your chin, and roll onto your back and hit the mat with your palms at a 45 degree angle from your body. Your legs will be straight in the air and about shoulder width apart. Roll back into a squatting position, then stand and return your arms to the beginning position.
- Yoko Ukemi (Side fall)
- Start by laying on your left side. Your chin is tucked by looking at your belt. Your left hand is out at 45 degree from your body. Your feet are about shoulder length apart. Your left leg is bent and is on the mat. Your right leg is bent to allow your heel and toes of your right foot to touch the mat at the same time. On a count, lift your legs up into the air and swith to the right position striking the mat with your right hand. Repeat going from the right side back to the left side.
- Start in a sqatting position. On a count, move your right leg out (stay in a sqatting position). Bring your left leg across the front of your body as you swing your left arm in the same direction. Fall onto your left side and strike the mat. Roll back into a squatting position by anchoring on your right foot and swinging your left leg back. Repeat falling to your right side.
- Start in a standing position. On a count, move your right leg out. Bring your left leg across the front of your body as you swing your left arm in the same direction. Fall onto your left side and strike the mat. Roll back into a squatting position by anchoring on your right foot and swinging your left leg back and stand. Repeat falling to your right side.
- Mae Mawari Ukemi (Forward roll fall - also called Zenpo Kaiten Ukemi)
- Start with your left leg forward with the knee up at a 90 degree angle and your right knee is on the mat. Use your right hand for balance if needed by placing it next to your left foot (about shoulder width). Bend your left arm into a circular shape and place your fingers at your left toes. Raise your right leg and look over your right shoulder. Roll across your arm and land in Yoko Ukemi on your right side. Repeat falling to your left side.
- Start from a standing position and dive forward onto your left arm as it takes a circular shape. Roll along your left side while looking over your right shoulder and land in Yoko Ukemi on your right side. Alternatively you can roll directly back into a standing position. Repeat falling to your right side.
- Mae Ukemi (Forward fall)
- tbd
Kuzushi (Unbalancing an opponent)
Read more about The Study of Kuzushi, Principles of Balance, and The Role of Unbalancing in Judo Class.
Formal practice for Kuzushi is as follows. Face your opponent and grab kumiuchi right side. Left hand on your opponents left sleeve and your right hand on his/her left lapel.
- Mae Kuzushi (Pull Uke forward)
- Ushiro Kuzushi (Push Uke backward)
- Migi Kuzushi (Step to Uke's right)
- Hidari Kuzushi (Switch hands and step to Uke's left)
- Migi Mae Sumi Kuzushi (Switch hands and step to Uke's right front corner)
- Hidari Mae Sumi Kuzushi (Switch hands and step to Uke's left front corner)
- Migi Ushiro Sumi Kuzushi (Switch hands and step to Uke's right backward corner)
- Hidari Ushiro Sumi Kuzushi (Switch hands and step to Uke's left backward corner)
Tai Sabaki (Whole body movement)
Read more about body movements.
- Migi Mae Sabaki (Right forward step)
- Hidari Mae Sabaki (Left forward step)
- Migi Ushiro Sabaki (Right backward step)
- Hidari Ushiro Sabaki (Left backward step)
- Migi Mae Mawari Sabaki (Right forward turn)
- Hidari Mae Mawari Sabaki (Left forward turn)
Shisei (Posture)
- Shizen Tai (Natural Standing Posture)
- Shizen Hontai (Basic Natural Standing Posture)
- Migi Shizen Tai (Right Natural Standing Posture)
- Hidari Shizen Tai (Left Natural Standing Posture)
- Jigo Tai (Defensive Posture)
- Jigo Hontai (Basic Defensive Posture)
- Migi Jigo Tai (Right Defensive Posture)
- Hidari Jigo Tai (Left Defensive Posture)
Rei (Bowing)
- Ritsurei (Standing bow)
- Heels together and feet open.
- Fingers together and palms against front corner of thighs.
- Bow at the waist while looking at opponent's feet, slide hands down thighs.
- Step forward with left foot, then right into natural standing posture.
- Back away with right foot, then left.
- Heels together and feet open again with hands on thighs.
- Zarei (Kneeling bow)
- Heels together and feet open.
- Fingers together and palms against front corner of thighs.
- Drop left knee, toes curled under.
- Drop right knee, toes curled under.
- Place left hand on thigh, then right hand.
- Flatten toes.
- Straighten belt, keep back straight.
- Place hands in front of each knee, hands turned slightly in but open, bow at waist while looking at spot halfway between you and partner.
- Return to straight seated position.
- Curl toes under.
- Lift right hand from thigh, then left hand.
- Rise with right knee.
- Rise with left knee.
- Heels together and feet open again with hands on thighs.
Nage Waza (Throwing techniques)
Tachi Waza (Standing techniques)
Te Waza (Hand throwing techniques)
| Technique | Translation | Group | Details | Video | More | Pronounce |
|---|---|---|---|---|---|---|
| Ippon Seoi Nage | One arm shoulder throw | 7.19 | drawing, animation | ji-1, ji-2, pj | 1, 2 | say |
| Kata Guruma | Shoulder wheel | 3.8 | drawing, animation | ji, pj | 1 and 2, 3 | say |
| Kibisu Gaeshi | One-hand reversal | 7.3 | drawing, animation | 1, 2 | say | |
| Morote Gari | Two-hand reap | 7.1 | animation | ji, sh | 1, 2 | say |
| Obi Otoshi | Belt drop | 6.1 | animation | 1, 2 | say | |
| Seoi Nage (Morote Seoi Nage) | Two hand shoulder throw | 1.8 | drawing, animation | ji-1, ji-2 | 1, 2, 3 | say |
| Seoi Otoshi | Kneeling shoulder drop | 6.2 | drawing, animation | ji | 1, 2 | say |
| Sukui Nage | Scoop throw | 4.4 | drawing, animation | ji, pj | 1, 2 | say |
| Sumi Otoshi | Corner drop | 5.7 | drawing, animation | ji-1, ji-2, pj | 1, 2 | say |
| Tai Otoshi | Body drop | 2.6 | drawing, animation | ji, pj | 1, 2, 3 | say |
| Uki Otoshi | Floating drop | 4.8 | drawing, animation | ji, pj | 1, 2 | say |
| Yama Arashi | Mountain storm | 6.3 | drawing, animation | ji | 1, 2 | say |
Koshi Waza (Hip throwing techniques)
| Technique | Translation | Group | Details | Video | More | Pronounce |
|---|---|---|---|---|---|---|
| Hane Goshi | Spring hip throw | 3.5 | drawing, animation | ji, pj | 1, 2 | say |
| Harai Goshi | Sweeping hip throw | 2.7 | drawing, animation | ji-1, ji-2, pj | 1, 2 | say |
| Koshi Guruma | Hip wheel | 2.3 | drawing, animation | ji, pj | 1 | say |
| O Goshi | Full hip throw | 1.6 | drawing, animation | ji, pj | 1 | say |
| Sode Tsurikomi Goshi | Sleeve lifting and pulling hip throw | 7.18 | drawing, animation | ji-1, ji-2, ji-3 | 1 | say |
| Tsuri Goshi | Lifting hip throw | 3.2 | drawing, animation | ji, pj | 1 | say |
| Tsurikomi Goshi | Lifting and pulling hip throw | 2.4 | drawing, animation | ji, pj | 1, 2, 3 | say |
| Uki Goshi | Floating half-hip throw | 1.4 | drawing, animation | ji-1, ji-2, pj, sh | 1 | say |
| Ushiro Goshi | Rear throw | 5.5 | drawing animation | ji, pj | 1 | say |
| Utsuri Goshi | Hip shift | 4.5 | drawing, animation | ji, pj | 1 | say |
Ashi Waza (Foot throwing techniques)
| Technique | Translation | Group | Details | Video | More | Pronounce |
|---|---|---|---|---|---|---|
| Ashi Guruma | Leg wheel | 3.4 | drawing, animation | ji, pj | 1 | say |
| Deashi Harai | Forward foot sweep | 1.1 | drawing, animation | ji, pj | 1 | say |
| Harai Tsurikomi Ashi | Lift-pull foot sweep | 3.6 | drawing, animation | ji, pj | 1 | say |
| Hiza Guruma | Knee wheel | 1.2 | drawing, animation | ji, pj | 1, 2 | say |
| Kosoto Gake | Minor outside hook | 3.1 | drawing, animation | ji, pj | 1, 2 | say |
| Kosoto Gari | Small outside reap | 2.1 | drawing, animation | ji, pj | 1 | say |
| Kouchi Gari | Small inner reap | 2.2 | drawing, animation | ji, pj | 1, 2 | say |
| O Guruma | Large wheel | 4.6 | drawing, animation | ji-1, ji-2, pj | 1 | say |
| Okuri Ashi Harai | Foot sweep | 2.5 | drawing, animation | ji, pj | 1 | say |
| Osoto Gari | Large outer reap | 1.5 | drawing, animation | ji-1, ji-2, pj, yamashita-1, yamashita-2, yamashita-3 | 1, 2, 3 | say |
| Osoto Guruma | Big outer wheel | 5.1 | drawing, animation | ji, pj | 1 | say |
| Osoto Otoshi | Big outer drop | 6.4 | drawing, animation | sh | 1 | say |
| Ouchi Gaeshi | Major inner reversal | 7.8 | animation | 1, 2 | say | |
| Ouchi Gari | Major inner reap | 1.7 | drawing, animation | ji, pj, yamashita-1, yamashita-2, yamashita-3, yamashita-4 | 1, 2, 3 | say |
| Sasae Tsurikomi Ashi | Propping and drawing ankle throw | 1.3 | drawing, animation | ji, pj | 1, 2 | say |
| Tsubame Gaeshi | Swallow flight reversal | 7.6 | drawing, animation | sh | 1 | say |
| Uchi Mata | Inner-thigh reaping throw | 2.8 | drawing, animation | ji, pj | 1, 2 | say |
Sutemi Waza (Sacrifice techniques)
Ma Sutemi Waza (Front sacrifices)
| Technique | Translation | Group | Details | Video | More | Pronounce |
|---|---|---|---|---|---|---|
| Hikikomi Gaeshi | Pulling in reversal | 6.6 | animation | 1 | ||
| Sumi Gaeshi | Corner reversal | 4.1 | drawing, animation | ji, pj | 1, 2 | say |
| Tawara Gaeshi | Rice bag reversal | 6.7 | drawing, animation | 1 | say | |
| Tomoe Nage | Circle throw | 3.7 | drawing, animation | pj | 1, 2 | say |
| Ura Nage | Rear throw | 5.6 | drawing, animation | ji, pj | 1, 2 | say |
Yoko Sutemi Waza (Side sacrifices)
| Technique | Translation | Group | Details | Video | More | Pronounce |
|---|---|---|---|---|---|---|
| Daki Wakare | High separation | 6.5 | animation | 1 | say | |
| Hane Makikomi | Springing wraparound | 4.3 | drawing, animation | ji, pj | 1 | |
| Harai Makikomi | Hip sweep wraparound | 7.16 | animation | sh | 1 | say |
| Osoto Makikomi | Big outer wraparound | 7.14 | drawing | 1 | say | |
| Soto Makikomi | Outer wraparound | 4.7 | drawing, animation | ji, pj, sh | 1, 2 | say |
| Tani Otoshi | Valley drop | 4.2 | drawing, animation | ji, pj | 1, 2 | say |
| Uchi Makikomi | Inner wraparound | 6.8 | animation | 1 | say | |
| Uchi Mata Makikomi | Inner thigh wraparound | 7.17 | drawing | sh | 1 | say |
| Uki Waza | Floating drop | 5.2 | drawing, animation | ji, pj | 1 | say |
| Yoko Gake | Side hook | 5.8 | drawing, animation | ji, pj | 1 | say |
| Yoko Guruma | Side wheel | 5.4 | drawing, animation | ji, pj | 1 | say |
| Yoko Otoshi | Side drop | 3.3 | drawing, animation | ji, pj | 1 | say |
| Yoko Wakare | Side separation | 5.3 | drawing, animation | ji, pj | 1 | say |
Katame Waza (Grappling techniques)
Not to be confused with Ne Waza (mat techniques) as some of these are performed standing.
Osaekomi Waza (Pins or matholds)
Read more about pins here.
| Technique | Translation | Details | Video | More | Pronounce |
|---|---|---|---|---|---|
| Kami Shiho Gatame | Upper four quarter hold | drawing | 1 | 1 | say |
| Kata Gatame | Shoulder hold | drawing | 1 | say | |
| Kesa Gatame | Scarf hold | drawing | 1 | 1 | say |
| Kuzure Kami Shiho Gatame | Broken upper four quarter hold | drawing | 1 | say | |
| Kuzure Kesa Gatame | Broken scarf hold | drawing | 1 | 1 | say |
| Kuzure Tate Shiho Gatame | Broken lengthwise four quarter hold | drawing | 1 | ||
| Mune Gatame | Chest hold | drawing | 1 | ||
| Makura Kesa Gatame | Pillow scarf hold | drawing | 1 | ||
| Tate Shiho Gatame | Horizontal four quarter hold | drawing | 1 | 1 | say |
| Yoko Shiho Gatame | Side four quarter hold | drawing | 1 | 1 | say |
Shime Waza (Chokes or strangles)
Read more about chokes here and here.
| Technique | Translation | Details | Video | More | Pronounce |
|---|---|---|---|---|---|
| Do Jime | Trunk strangle | Prohibited technique | 1 | say | |
| Gyaku Juji Jime | Reverse cross strangle | drawing | 1 | say | |
| Hadaka Jime | Naked strangle | drawing | 1 | say | |
| Jigoku Jime | Hell strangle | drawing | |||
| Kagato Jime | drawing | ||||
| Kata Ha Jime | Single wing strangle | drawing | 1, 2 | say | |
| Kata Juji Jime | Half cross strangle | drawing | 1 | say | |
| Kata Te Jime | One-hand strangle | drawing | 1 | say | |
| Koshi Jime | Hip strangle | drawing | 1 | ||
| Morote Jime | drawing | ||||
| Nami Juji Jime | Normal cross strangle | drawing | 1 | say | |
| Okuri Eri Jime | Sliding lapel strangle | drawing | 1 | say | |
| Ryo Te Jime | drawing | 1 | say | ||
| Sankaku Jime | Triangular strangle | drawing | 1 | say | |
| Sode Guruma Jime | Sleeve wheel strangle | drawing | 1 | say | |
| Tsukkomi Jime | drawing | 1 | say | ||
| Yoko Sankaku Jime | drawing |
Kansetsu Waza (Joint locks)
Read more about joint locks here.
| Technique | Translation | Details | Video | More | Pronounce |
|---|---|---|---|---|---|
| Ashi Garami | Leg entanglement | Prohibited technique, drawing | 1 | ||
| Ude Garami | Arm entanglement or "figure-four" key lock | 1, 2 | say | ||
| Ude Hishigi Ashi Gatame | Side-lying arm bar | 1 | |||
| Ude Hishigi Hara Gatame | Side-extended arm bar, lower stomach against opponent's elbow | drawing | 1 | ||
| Ude Hishigi Hiza Gatame | Knee arm bar | drawing | 1 | say | |
| Ude Hishigi Juji Gatame | Back-lying perpendicular arm bar | 1, 2 | say | ||
| Ude Hishigi Sankaku Gatame | Triangular strangle, using the legs | 1 | |||
| Ude Hishigi Te Gatame | drawing | 1 | |||
| Ude Hishigi Ude Gatame | drawing | 1 | 1 | say | |
| Ude Hishigi Waki Gatame | drawing | 1 | say |
Kata
Lots of articles on Kata here.
Nage no Kata (Forms of Throwing)
Full description here.
- Te Waza (Hand Techniques)
- Uki Otoshi (Floating Drop)
- Seoi Nage (Shoulder Throw)
- Kata Guruma (Shoulder Wheel)
- Koshi Waza (Hip Techniques)
- Uki Goshi (Floating Hip)
- Harai Goshi (Sweeping Hip)
- Tsuri Komi Goshi (Lifting Pulling Hip)
- Ashi Waza (Foot Techniques)
- Okuri Ashi Harai (Double Foot Sweep)
- Sasae Tsuri Komi Ashi (Lifting Pulling Foot Block)
- Uchi Mata (Inner Thigh Throw)
- Ma Sutemi Waza (Rear Sacrifice Techniques)
- Tomoe Nage (Stomach or Circle Throw)
- Ura Nage (Back Throw)
- Sumi Gaeshi (Corner Throw)
- Yoko Sutemi Waza (Side Sacrifice Techniques)
- Yoko Gake (Side Hook)
- Yoko Guruma (Side Wheel)
- Uki Waza (Floating Throw)
Katame no Kata (Forms of Grappling or Holding)
Full description here and video here.
- Beginning Movements
- Katame Waza (pins or holding techniques)
- Opening
- Kesa Gatame (scarf hold)
- Kata Gatame (shoulder hold)
- Kami Shiho Gatame (upper 4 quarter hold)
- Yoko Shiho Gatame (side 4 quarter hold)
- Kuzure Kami Shiho Gatame (modified upper quarter hold)
- Shime Waza (choking techniques)
- Opening
- Kata Juji Jime (half cross choke)
- Hadaka Jime (naked choke)
- Okuri Eri Jime (sliding collar choke)
- Kataha Jime (single wing choke)
- Gyaku Juji Jime (reverse cross choke)
- Kansetsu Waza (joint locks)
- Opening
- Ude Hishigi Ude Garame (bent arm armlock)
- Ude Hishigi Juji Gatame (upper cross arm armlock)
- Ude Hishigi Ude Gatame (straight arm armlock)
- Hiza Gatame (knee armlock)
- Ashi Garami (entangled leglock)
- Closing Movements
Kime no Kata (Forms of Decision)
Full description here.
Kodokan Goshin Jutsu (Forms of Self-Defense)
Full description here.
Ju no Kata (Forms of Gentleness)
Full description here.
Itsutsu no Kata (Forms of Five)
Full description here.
Koshiki no Kata (Antique Forms)
Full description here.
Seiryoku Zenyo Kokumin Taiiku no Kata (National Physical Education Form)
Full description here.
Randori
- Gripping technique
- First Contact and Grip Domination
- Combination and counter throws
- Discussion of combinations and counters
Shiai (Competition)
Articles
- What to Expect at a Judo Tournament
- The Competition Judogi
- The Competition Area
- Guide to Tournament Rules
- Referee Signals
- Official IJF Rules of Judo
- 2009 IJF Rule Changes
- List of Competition Penalties
- Original Kodokan Judo Tournament Rules by H. Irving Hancock and Katsukuma Higashi
- Contest at the Dojo by Sumitomo Arima
- Evolution of Judo Rules by Neil Ohlenkamp
- Fighting or Playing--The Martial Art vs Sport Debate by Neil Ohlenkamp
- Judo Competition Systems by Neil Ohlenkamp
- Analysis of Competition by Donn F. Draeger
- A Flawed Premise by Steve Scott
- Trends in Championship Judo by Neil Ohlenkamp
- Fighting Spirit by Isao Inokuma
- My Judo by Masahiko Kimura
- Why Every Recreational Judo Player Should Compete by Todd Brehe
- Coach, I Want to Be a Champion by Gerald Lafon
Weight classes
I compete in the men's 81kg category.
Men:
| Weight class name | Upper limit in lb | Equivalent in kg |
|---|---|---|
| Extra Lightweight | 132.0 lb | 60 kg |
| Half Lightweight | 145.2 lb | 66 kg |
| Lightweight | 160.6 lb | 73 kg |
| Half Middleweight | 178.2 lb | 81 kg |
| Middleweight | 198.0 lb | 90 kg |
| Half Heavyweight | 220.0 lb | 100 kg |
| Heavyweight | 220.0+ lb | 100+ kg |
Women:
| Weight class name | Upper limit in lb | Equivalent in kg |
|---|---|---|
| Extra Lightweight | 105.6 lb | 48 kg |
| Half Lightweight | 114.4 lb | 52 kg |
| Lightweight | 125.4 lb | 57 kg |
| Half Middleweight | 138.6 lb | 63 kg |
| Middleweight | 154.0 lb | 70 kg |
| Half Heavyweight | 171.6 lb | 78 kg |
| Heavyweight | 171.6+ lb | 78+ kg |
Misc
Language
You can find lots more words and pronunciations as well.
Counting from 1 to 10:
- Ichi (pronounce)
- Ni (pronounce)
- San (pronounce)
- Shi (pronounce)
- Go (pronounce)
- Roku (pronounce)
- Shichi (pronounce)
- Hachi (pronounce)
- Kyu (pronounce)
- Ju (pronounce)
Additional words:
- Mae (forward)
- Ushiro (backward)
- Yoko (side)
- Migi (right)
- Hidari (left)
- Tori (thrower)
- Uke (opponent)
- Matte (stop)
- Yoshi (go)
- Hajime (start)
- Hikite (pulling hand)
- Tsurite (lifting hand)
- Tsukuri (entry into technique)
- Kake (completion of technique)
- Kumikata (gripping methods)
Ranks
- Nice video of technique to tie your belt in a locking knot here.
| Color | English | Japanese |
|---|---|---|
| White | 6th grade | Rokyu |
| Green | 5th grade | Gokyu |
| Blue | 4th grade | Yonkyu |
| Brown | 3rd grade | Sankyu |
| Brown | 2nd grade | Nikyu |
| Brown | 1st grade | Ikkyu |
| Black | 1st degree | Shodan |
| Black | 2nd degree | Nidan |
| Black | 3rd degree | Sandan |
| Black | 4th degree | Yodan |
| Black | 5th degree | Godan |
| Red-White | 6th degree | Rokudan |
| Red-White | 7th degree | Shichidan |
| Red-White | 8th degree | Hachidan |
| Red | 9th degree | Kudan |
| Red | 10th degree | Judan |
Books
- Kodokan Judo: The Essential Guide to Judo by Its Founder Jigoro Kano
- The Canon of Judo: Classic Teachings on Principles and Techniques
- Judo Formal Techniques: A Complete Guide to Kodokan Randori No Kata
Videos
- Judo
- Masahiko Kimura - short documentary
- Masahiko Kimura - judo techniques
- Yasuhiro Yamashita - 16 days of glory
- Toshihiko Koga - Judo
- Ryoko Tani
- Uchikomi practice
Quotes
Get inspired with these words of wisdom about Judo.